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THREE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.But the pictures and churches filled Lisette with delight, especially the masterpieces of Correggio, the glory of Parma.

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THREE:Mme. Le Brun went to all the chief watering-places��Bath, Brighton, Tunbridge Wells, Matlock, &c.��she found English life monotonous, as it certainly was in those days, and hated the climate of London; but she had gathered round her a congenial society, with whom she amused herself very well, and whom she left with regret when she decided to return to France, partly because her ungrateful daughter had arrived there, and was being introduced by her father to many undesirable people.

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THREE:

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FORE:��You wouldn��t believe,�� she said to Lisette, who came to see her at eight o��clock one evening, and found her alone, ��that I have had twenty people to [153] dinner to-day? They all went away directly after the coffee.��To gain time in those days was often to gain everything.

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FORE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the ��goddess of Bordeaux,�� with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and T��r��zia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said��

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FORE:Joseph Vernet had a little son of whose talent for drawing he was very proud; and one day at a party where his friends joked him on his infatuation, he sent for the child, gave him a pencil and paper, and told him to draw.

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THREE:Vien, who had been first painter to the King; G��rard, Gros, and Girodet, the great portrait painters (all pupils of David), and her old friend Robert, were constant guests. With David she was not on friendly terms; his crimes and cruelties during the Revolution caused her to regard him with horror. He had caused Robert to be arrested, and had done all he could to increase the horrors of his imprisonment. He had also tried to circulate the malicious reports about Calonne and Mme. Le Brun, of whom he was jealous, though his real love for his art made him acknowledge the excellence of her work.

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